Royal Palace Palazzo Reale di Milano. Palazzo Reale, Milan, Italy Italian dialects - will we understand each other
Our journey will begin from the palace (palazzo) of Legal Advisers in the very center of the city, on Mercanti Square. We will then proceed to Palazzo Clerici, which contains a fresco by Tiepolo, and Palazzo Marino in Piazza della Scala. In the center we will also see Palazzo Belgioioso on the square of the same name and Palazzo Bagatti-Valsecchi, inspired by the noble spirit of the early Renaissance. A panorama of architectural styles will appear before our eyes: the 17th-century Palazzo Senate, the neoclassical Palazzo Serbelloni and the Palazzo Castiglioni, the first building in the Liberty style in Milan, and our walk will end at the Palazzo Isimbardi, which preserves the memory of several centuries of architectural development.
Palazzo Legal Consultants
Fragment of the portico of the Palazzo Legal Consulti © www.palazzogiureconsulti.it
The main facade of the building overlooks Piazza Mercanti, which has long been considered the center of political life in Milan.
The construction of the palazzo took place in 1562-1654. Between the arches of its elegant portico are high relief busts of emperors. The first stone of the palace was laid by Pope Pius IV de' Medici, who founded the College of Noble Doctors in the 16th century, an administrative and legal body where future senators, judges and "captains of justice" were educated.
At the facade of the building there is a statue of St. Ambrose of Milan, on the side of which there is a high relief “Orpheus with a zither”.
From 1808 to 1901, the first stock exchange of Milan was located in the palazzo, and since 1911 the Chamber of Commerce and Industry has settled here. At the end of the 1980s, the building underwent serious restoration work. Nowadays, the palace, whose area is 1700 square meters. m, has become a multifunctional center for congresses and events, including those dedicated to design and fashion.
Palazzo Marino
Palazzo Marino / Shutterstock.com
The customer of the construction was Count Tommaso Marino, a banker and merchant from Genoa. The palazzo, intended as a family residence, was built in 1557-1563. designed by the architect Galeazzo Alessi. After the death of the count, the economic position of his family was shaken, the palace was mortgaged and in 1577 became the property of the city. Subsequently, the authorities sold the palazzo, which was in a deplorable state, to the heirs of the banker Omodei, who partially restored the building, but did not live in it. The palazzo was still called "dei Marino", that is, belonging to the Marino family.
In 1781, the state again purchased the palazzo and carried out restoration work under the leadership of the architect Giuseppe Piermarini. After the Unification of Italy in 1861, the palace was occupied by the city administration. The current appearance of the building from the Piazza della Scala was formed after important restoration work led by the architect Luca Beltrami in 1892, as well as as a result of restoration work after the bombing of 1943, from which the part of the building called the “Alessi Salon” was badly damaged.
Palazzo Marino, which still houses the city administration, also hosts various cultural events. The main courtyard, the Alessi Salon, the Marra Hall, the City Council Hall, the Pride Hall and the Giunta Hall are open to the public. The Tempera, Tapestries, Holy Trinity and Resurrection Halls will soon be available, fully restored to their original splendor.
Address
Piazza della Scala, 2
Palazzo Clerici
Palazzo Clerici. Tapestry Hall © designboom
The Clerici family lived in this palazzo from the second half of the 17th century until the end of the 18th century, thus demonstrating their influence and status during the period of Austrian rule. At that time it was one of the most magnificent residences in Milan.
The relatively modest facade of the palace contrasts with the luxury of the interiors. The central part of the façade is designed so that carriages can easily enter the courtyard. The main staircase, the only one of its kind in Milan, is decorated with statues of women in oriental dress.
In 1740, Marquis Giorgio Antonio Clerici commissioned the painting of the vault of the Tapestry Hall by Giovanni Battista Tiepolo, one of the most famous masters of late Baroque painting.
The central plot of Tiepolo's fresco is “The running of the chariot of the Sun god across the sky.” And around the main stage were the Olympian gods, mythological heroes and allegorical figures symbolizing the continents. The luxurious wooden carvings covering the walls of the hall testify to the high skill and artistic taste of the Lombardy masters of the 18th century.
Address
Via Clerici, 5
"House with Atlanteans"
Fragment of the facade of the “House with the Atlases” © Giovanni Dall’Orto
“House with the Atlanteans” (Italian: Casa degli omenoni) is located on the street of the same name just behind Piazza San Fedele and is named after the eight “giants” (Italian: omenoni) by Antonio Abondio carved on the façade.
The palazzo was built according to the design of Leone Leoni, court sculptor of Emperor Charles V of Austria and Philip II of Spain. This artist, appointed sculptor of the Mint of Milan in 1542, bought the mansion in 1549, and in 1565 began construction of the modern building, making it his residence.
The facade of the building has two floors and an attic dating back to the next era. The first floor is decorated with statues of eight Telamons (Atlanteans), probably representing the defeated barbarians of the era of Ancient Rome. The names of their tribes are carved above their heads. On the second floor, columns alternate with niches and windows, to which small balconies were added in the 19th century. In the center of the frieze there is a bas-relief telling about the family of the owners of the house and their tough character. Inside the mansion there is a beautiful square courtyard, restored by the architect Pietro Portaluppi in 1929.
In addition, this palazzo is the headquarters of the unique “Gentlemen's Club”, created in 1901. This is a club for the wealthiest aristocrats and businessmen in Milan and its environs. Initially, it included wealthy landowners, lawyers, doctors, engineers, industrialists from textile factories, who equally adored their business and sports; elegant gentlemen from the most influential families, including the Turati, Pirelli, Sforza, Agnelli, Moratti and Tronchetti Provera.
Address
Via degli Omenoni, 3
Palazzo Belgioioso
Main facade of Palazzo Belgiososo © klausbergheimer
The construction of Palazzo Belgioioso was inspired by the Royal Residence of Caserta (Reggia di Caserta). This palace is characterized by a combination of elegance and severity. Along with the La Scala theater, this is one of the best examples of neoclassical architecture in Milan. The palace was built in 1787 by the architect Giuseppe Piermarini, commissioned by Prince Alberico II di Belgioioso d'Este.
The majestic facade emphasizes the nobility of the customer. The ground floor is clad in rusticated stone, typical of the Renaissance. There are two upper floors on it, united by one order. A four-column portico of a large order stands out in the center, and above the windows there are elegant bas-reliefs with heraldic symbols.
The wide main staircase is decorated with classic goblet-shaped vases.
The original interior decoration was also designed by Piermarini and carried out by masters of the neoclassical period. On the second floor, the architect even provided a special room in which aristocrats (and the second floor is intended specifically for them) could powder their wigs.
Alberico II di Belgioioso d'Este was a famous collector of books and art. He turned the palazzo into a real salon, which was visited by famous artists and writers of his time, for example, the poets Giuseppe Parini and Ugo Foscolo.
Currently, the palazzo is private property and is closed to the public.
Address
Piazza Belgioioso, 2
Bagatti-Valsecchi House Museum
House-Museum of Bagatti-Valsecchi. Valtellian bedroom © museobagattivalsecchi.org
In the 1980s, brothers Fausto and Giuseppe Bagatti-Valsecchi decided to rebuild the family residence, located between Via Gesu and Via Santo Spirito. They drew inspiration from the architecture of the palaces of the Lombard aristocracy of the 16th century. This curious project by two Milanese lawyers was completed in 1883, after which they furnished the rooms with antique furniture to recreate the lifestyle of that era. The Palazzo soon became a favorite meeting place for Milanese society of the time, as well as a model for many collectors.
After the death of Fausto and Giuseppe, their heirs lived in the palace until 1974, when Pasino, one of Giuseppe's sons, established the Bagatti-Valsecchi Foundation, to which he transferred the collection of his father and uncle. Twenty years later, in 1994, the public Bagatti-Valsecchi Museum opened here.
The Bagatti-Valsecchi Museum is included in the route dedicated to the house museums of Milan. The system of city house museums was formed in 2008 with the aim of promoting the cultural and artistic heritage of the city through acquaintance with the unique houses of its famous residents.
Today, the residence of the Bagatti brothers is one of the best preserved house museums in Europe. The interior furniture is real; the collection contains many paintings from the 15th - 16th centuries, both originals and copies, made by famous artists.
Palazzo Senate
Main facade of the Palazzo Senate © Shutterstock.com
The palazzo was built in 1608 as the new residence of the Swiss college, commissioned by Cardinal Federico Borromeo of Milan. The original project was designed by the architect Fabio Mangone, and 20 years later Francesco Maria Ricini became involved. Subsequently, different governments were located in the building: first the Austrian, then the lower house of the Cisalpine Republic, and in 1805, with the formation of the Kingdom of Italy, its Senate settled here.
The palazzo was built in the Baroque style: a concave central part of the facade and windows decorated with triangular and arched windows on the first and second floors, respectively. Inside the building there are two large courtyards, which are formed by two tiers of columned porticoes: this architectural solution is apparently unique for Milanese houses of that time and was especially noted by the contemporaries of the project.
Already in 1860, the famous director of the archives of Lombardy, Luigi Osio, characterized the palazzo, which housed the Swiss college and then Napoleon's Senate, as a suitable building for storing the city's documents, until then located in various buildings in Milan.
After lengthy preparations, in 1886 the Milanese archives from various places were moved to this palazzo. This is how the modern State Archive of Milan was born.
Address
Via Senato, 10
Palazzo Serbelloni
Napoleonic Hall of Palazzo Serbelloni © Fondazione Serbelloni
In 1756, Duke Gabrio Serbelloni purchased a new house near the San Damiano canal in order to establish a residence in it, emphasizing his high social position: it was planned to build a large palace with reception halls, staircases and a representative facade. Largely due to the fact that the Duke chose this place at the intersection of two main transport arteries of the city, the renovation of the adjacent Porta Orientale quarter began, where previously cowsheds, vegetable gardens and monasteries were mainly located.
The construction of the residence was entrusted to Simone Cantoni, work began in 1774. However, construction was often interrupted, sometimes for entire years. Construction continued into the 80s, and at the same time, a city garden (Italian: Giardini pubblici) and bosquets (Italian: Boschetti), as well as new customs posts for collecting fees for entering the city, were built on the territory of the Porta Orientale quarter .
The main element of the neoclassical facade is undoubtedly the central box, topped by a grandiose pediment with plaster bas-reliefs by Francesco Carabelli, which depict scenes from the life of Frederick Barbarossa. From the outside you can see the hall of the palace, the frescoes of which use a trompe l'oeil effect. But the monumental staircase and ballroom have not survived to this day due to bombing. Nowadays, the palazzo hosts congresses, cultural events and other events, including fashion shows (in the "Napoleonic Hall", beautifully restored after damage received in 1943).
The palazzo is open to the public by appointment.
Palazzo Castiglioni
Main façade of Palazzo Castiglioni © Unione Commercianti di Milano
Palazzo Castiglioni was commissioned in 1900 by the engineer Ermenegildo Castiglioni to the architect Giuseppe Sommaruga. The choice of location - on Corso Venezia, surrounded by 18th-century palaces and neoclassical buildings - reflected the desire of the bourgeoisie to “break” with the past through the means of Art Nouveau, or Art Nouveau, or, as it is called in Italy, the Liberty style, which is characterized by a rejection of straight lines in favor of smoother, curved and “natural” ones, flourishing of applied arts, interest in new technologies.
The three-story palazzo has two facades: the main one faces Corso Venezia, and the other faces Via Marina. The first plays on the contrast between smooth plastered areas, rough stones and the liveliness of decorative elements and wrought iron grilles. The second facade is made of red bricks, glass loggias and wrought iron railings.
Among the interior decorations, we note the iron “Chandelier with Dragonflies” by Alessandro Mazzucotelli in the main hall and the balustrade of the main two-flight staircase. This is what little of the original finish remains. In addition, after the bombing of 1943, the stucco molding and decoration of the ceiling of the “Hall of Peacocks” survived.
The entrance to the palazzo is decorated with two female sculptures by Ernesto Bazzaro, the installation of which at one time caused heated controversy because of their nudity. The customer even had to remove them. So for some time they stood in Luigi Faccanoni's villa.
Palazzo Isimbardi
Courtyard of Palazzo Isimbardi © modaeventiexpo.it
Marquis Gian Pietro Camillo Isimbardi, a Milanese politician during the Napoleonic Wars, turned the Palazzo Isimbardi into a research center and repository of finds in the second half of the 18th century. In 1817, the brothers Alessandro and Luigi Isimbardi rebuilt the palazzo both inside (halls, salons and galleries) and outside (balconies, facades). The palace acquired its modern appearance at the end of the 19th century, when both wings of the building were built on and two small balconies appeared on the sides to balance the central part of the baroque part of the facade.
In 1935, the province of Milan bought the palazzo. As a result of the restoration work, led by the architect Ferdinando Reggiori, the original appearance of the 16th-century courtyard, with porticoes decorated with floral patterns, was completely restored.
In 1940, the architect Giovanni Muzio added another building to the palazzo with a tower, portals with columns, and sculptural panels made by Ivo Soli. The new building was opened on October 24, 1942, and half an hour after the opening, the first bombing of Milan began, and all the glass in the palace was broken by the blast wave. After the war, restoration work continued until 1953.
Palazzo Isimbardi is open to the public. It houses a large collection of 19th-century art. The Giunta Room, decorated with frescoes by Tiepolo, is open to the public upon prior request.
One of The most significant historical building in the center of Milan is the Royal Palace(Palazzo Reale di Milano), which is located on Piazza del Duomo to the right of the façade of the Cathedral. Being older than its eminent neighbor, it served as the city hall during the medieval Milanese commune and the reign of the Torriani dynasty (XII century). In the thirteenth century, the building received the name Palazzo del Broletto Vecchio ("Palace of the Old Town Hall"), since a new one was erected in the Merchants' Square.
In the first half of the 14th century. under the Signori Visconti, the palace was significantly rebuilt and turned into the residence of the Dukes of Milan (Palazzo Ducale), resplendent with luxury and splendor. The great Giotto worked on his frescoes. At the same time, the Chapel of St. Gotthard appeared in the palace complex. In the 15th century, the Sforza Dukes moved their residence to the country castle Castello Sforzesco, but in the 16th century, under Louis XII and Francis I, the royal court was returned back. During the years of Spanish rule (1535-1713), Palazzo Ducale was the residence of the governor.
The palace acquired its modern neoclassical appearance at the end of the 18th century. under the Habsburgs. The work was carried out in 1773-1778. designed by the architect Giuseppe Piermarini. The part of the building closest to the Cathedral was demolished, and the remaining three formed the inner palace square of Piazzetta Reale, the granite pavement of which was decorated with geometric patterns. The interiors have also undergone major changes. In particular, the luxurious Hall of the Caryatids appeared, intended for royal balls and receptions. Only a few medieval elements survived the reconstruction. Among them are the “Hall of Eight Columns” on the ground floor of the east wing, which was part of the Old Town Hall of the 12th century, and the bell tower of the St. Gotthard Chapel in the Roman-Lombard style, dating back to the 14th century.
In 1796, with the arrival of Napoleon Bonaparte, the Royal Palace was renamed the National Palace. At first it housed the military authorities, and then the government of the Directory. In 1805, Milan became the capital of the Kingdom of Italy, Napoleon became king, and his adopted son Eugene Beauharnais settled in Palazzo Reale, receiving the title of viceroy. Under him, the rear part of the palace was significantly expanded, and the Royal stables and arena were built.
After the unification of the country in 1861, Palazzo Reale became the property of the Savoy dynasty. However, the kings of United Italy spent little time in it, since Milan ceased to be the capital. In 1919, the palace was sold to the Italian state.
In the mid-19th century, Palazzo Reale fell on hard times. The building was rebuilt three times (or rather, destroyed), as a result of which its proportions and appearance were distorted. In the 1850s, during the reconstruction of Piazza Duomo, the eastern wing was reduced. In 1925, Mussolini ordered the demolition of the Royal Mews and other Napoleonic buildings. And to top it all off, in 1936 the western wing, “La Manica Lunga” (“The Long Sleeve”), was shortened by 60 meters to make way for the construction of the new government residence, Palazzo dell’Arengario.
On the night of August 15, 1943, Milan was subjected to massive Allied air raids. Despite the fact that the bombing affected only part of the eastern wing of the Royal Palace, the blast wave blew off the roof, and the spreading fire seriously damaged the wooden ceiling and floor and caused numerous collapses. After this, the building remained abandoned for several years, as a result of which some of the priceless frescoes and stucco work of the 18th-19th centuries were lost.
In 1947, the first restoration of the Royal Palace was carried out. Floors and ceilings appeared again in the Hall of the Caryatids, but it was decided not to restore all of its amazing neoclassical decoration - sculptures, frescoes, huge chandeliers, furniture. The most luxurious room of the Palazzo Reale was left dilapidated - as clear evidence of the horrors of war. It is very symbolic that in 1953, when Pablo Picasso first brought his epic “Guernica” to Italy, it was exhibited in the Hall of the Caryatids.
In the following decades, Palazzo Reale hosted numerous art exhibitions and other cultural events. At the same time, the surviving decorative elements, hidden by draperies and sheets of drywall, continued to deteriorate. Painstaking work on the reconstruction of the interiors of the palace began only in 2000. In the Hall of the Caryatides, the blackening caused by the fire was removed from the walls, the contours of the painting that once adorned it were outlined on the ceiling, and the surviving frescoes, sculptures and stucco work were preserved. To date, several stages of restoration have already been completed, and the original splendor of the palace has been largely restored.
Palazzo Reale plays an important role in the cultural and social life of modern Milan. It is one of the largest city exhibition halls. In its interior there is a museum of the Royal Palace (Museo della Reggia), and in the eastern wing there is a museum of the Cathedral (Museo del Duomo).
This site is dedicated to self-learning Italian from scratch. We will try to make it the most interesting and useful for everyone who is interested in this beautiful language and, of course, Italy itself.Interesting about the Italian language.
History, facts, modernity.
Let's start with a few words about the modern status of the language; it is obvious that Italian is the official language in Italy, the Vatican (simultaneously with Latin), in San Marino, but also in Switzerland (in its Italian part, the canton of Ticino) and in Several districts in Croatia and Slovenia, where a large Italian-speaking population lives, Italian is also spoken by some of the residents on the island of Malta.
Italian dialects - will we understand each other?
In Italy itself, even today you can hear many dialects, sometimes it is enough to travel only a few tens of kilometers to encounter another of them.Moreover, dialects are often so different from each other that they can seem like completely different languages. If people from, for example, the northern and central Italian “outback” meet, they may not even be able to understand each other.
What is especially interesting is that some dialects, in addition to the oral form, also have a written form, such as the Neopolitan, Venetian, Milanese and Sicilian dialects.
The latter exists, accordingly, on the island of Sicily and is so different from other dialects that some researchers distinguish it as a separate Sardinian language.
However, in everyday communication and, especially, in large cities, you are unlikely to experience any inconvenience, because... Today, dialects are spoken mainly by older people in rural areas, while young people use the correct literary language, which unites all Italians, the language of radio and, of course, television.
It may be mentioned here that until the end of the Second World War, modern Italian was only a written language, used by the ruling class, scientists and in administrative institutions, and it was television that played a big role in the spread of the common Italian language among all inhabitants.
How it all began, origins
The history of the formation of modern Italian, as we all know it, is closely connected with the history of Italy and, of course, no less fascinating.Origins - in Ancient Rome, everything was in the Roman language, commonly known as Latin, which at that time was the official state language of the Roman Empire. Later, from Latin, in fact, the Italian language and many other European languages arose.
Therefore, knowing Latin, you can understand what a Spaniard is saying, plus or minus a Portuguese, and you can even understand part of the speech of an Englishman or a Frenchman.
In 476, the last Roman emperor, Romulus Augustulus, abdicated the throne after the capture of Rome by the German leader Odocar, this date is considered the end of the Great Roman Empire.
Some also call it the end of the “Roman language”, however, even today disputes still rage as to why exactly the Latin language lost its relevance, because of the capture of the Roman Empire by barbarians or was it a natural process and in what language? spoken towards the end of the Roman Empire.
According to one version, in ancient Rome by this time, along with Latin, the spoken language was already widespread, and it is from this popular language of Rome that the Italian that we know as Italian of the 16th century comes from, according to the second version, in connection with the invasion of the barbarians Latin mixed with various barbarian languages and dialects, and it is from this synthesis that the Italian language originates.
Birthday - first mention
The year 960 is considered the birthday of the Italian language. The first document in which this “proto-vernacular language” is present is associated with this date - vulgare, these are court papers related to the land litigation of the Benedictine Abbey, witnesses used this particular version of the language so that the testimony would be understandable to as many people as possible, up to this point in all official papers we can only see Latin.And then there was a gradual spread in the ubiquitous life of the language vulgare, which translates as the people's language, which became the prototype of the modern Italian language.
However, the story does not end there, but only becomes more interesting and the next stage is associated with the Renaissance and with such well-known names as Dante Alighiere, F. Petrarch, G. Boccaccio and others.
to be continued...
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How to choose an Italian language tutorial, where to download it, or how to study it online, you will find information about this in my posts.
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In chapter "
Description of the attraction by interest category
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In terms of the number of historical characters who permanently or temporarily lived within its walls, the Royal Palace of Milan can compete with any historical building in Europe, if we talk about the top officials of the state and historical figures who had the greatest influence on the course of world history. Built initially as the main city building of the town hall, it later became the official residence of the Visconti, and a little later - for all the rulers of Milan. King Ferdinand, Maria Teresa, Emperor Napoleon, and other major and influential people of their time lived here during their stay. Today it is one of the largest museums in Italy. Exhibitions from the collections of the world's most famous museums are held here. There is also a permanent exhibition. She talks about the construction and construction of the Cathedral.
Military-political history r
The Royal Palace is the embodiment of history, this can be said without exaggeration, because the building was built in the 12th century, and was originally built as the city hall building. The Visconti family, who a little later became the supreme power in the city, turned the building into their residence. To achieve this, large-scale construction work and reconstruction of the building began, according to the wishes of the new owners. The decoration of the palace and its external facade were truly magnificent - it is worth saying that Giotto himself worked on the painting of the Palace. The splendor of the palace, which can be judged from documents of that time, truly made an indelible impression - paintings, mosaics and frescoes, magnificent and outlandish peacocks brought from the East for their time - the Visconti spared no expense in maintaining the fabulous splendor of luxury. Visconti's rule did not last forever, which is not surprising, given the events that took place in Italy and throughout Europe. The next owners of the palace were the Sforza family, after which the Spanish governor appeared within the walls of the palace. Giuseppe Piermarini, hired by the Habsburgs, who settled after the Spanish governor, developed a project, the embodiment of which, in fact, shows us the modern appearance of the palace. The Second World War left no trace of its former splendor - after its end, far from the best times came for Italy for almost 20 years. They began to restore the palace after it had stood in a ruined state for quite a long time. Well, after the former beauty shone with new colors, the palace was given over to the building of a museum. Now everyone can enjoy the magnificence of almost a thousand years of history, of whom, as one would expect, a huge number come here.
Palazzo Reale in Milan (Milan, Italy) - exhibitions, opening hours, address, phone numbers, official website.
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The façade of the Royal Palace of Milan is not striking in its splendor. Perhaps this is due to the grandiose Milan Cathedral, which overshadows everything around with its luxury. Or maybe it’s just bad luck - the Palazzo Reale has been redrawn, destroyed and restored so many times that little remains of its original appearance. The bombing of 1943 once again turned the building into ruins, destroying the interiors decorated with sculptures and frescoes; only the Hall of the Caryatids survived. Restoration lasted until 1960, now several museums are located here, and art exhibitions are regularly held.
What to see
9 halls of the palace are occupied by the Milan Cathedral Museum. On the stands there is a rich collection of drawings and drawings illustrating 600 years of construction. The central place is given to the wooden model of the temple; the guides explain in detail the architectural features of the building and talk about all its 70 architects. Along the walls are copies of sculptures standing on high spiers.
The oldest surviving part of the palace is the St. Gotthard Church with an octagonal bell tower and the city's first mechanical clock tower. It was erected by order of Duke Azzone Visconti in 1336. He rested here in a “hanging” sarcophagus, decorated with marble bas-reliefs. Since those times, the fresco “The Crucifixion” by Giotto’s school and the canvas “St. Charles Borromeo” by Giovanni Crespi have been preserved.
The Museum of Modern Art occupies the premises of the Palazzo del Arengiario, which stands on the site of the right wing of the Palazzo Reale, which was demolished in 1930. From its open gallery Benito Mussolini loved to speak to the people; now the halls are filled with works of European and Italian artists of the 20th century.
Practical information
Address: Milan, Piazza del Duomo, 12. Website (in English).
How to get there: by metro to the station. Duomo, by tram No. 1, 2, 3, 12, 14, 16, 24, 27 to the stop. Duomo.
Opening hours: Monday from 14:30 to 19:30, Tuesday, Wednesday, Friday and Sunday from 9:00 to 19:30, Thursday and Saturday from 9:30 to 22:30.
Ticket price for adults is 14 EUR, pensioners, students and visitors with disabilities - 12 EUR, schoolchildren 6 EUR, for children under 6 years of age admission is free. Prices on the page are as of November 2018.
